Theater

  • Tabing Ilog The Musical Review: Great Performances, Weak Storyline

    As a child, I didn’t start watching teen oriented shows until Gimik or Click. Tabing Ilog was for the older millennials so I was not familiar with the story nor the characters of the original series. However, Tabing Ilog The Musical does not full rely on 90s nostalgia as its plot is different with the TV series’ except for the characters.


    Set in 2023 and the town of San Juan E, the Tabing Ilog barkada goes back to their hometown and reunites for the wake of their late teacher. Everyone is present except for Fonzy who left the group chat after he and George broke up. The show also utilizes viber as a way to include the audience in the barkada group chat.

    The gift and curse of a teen-oriented show is that it can cover limitless themes from love, friendship to sex and identity crises. The audience remembers the names but not the story. In the case of the Tabing Ilog The Musical, the story went straight to the conflicts even before the audience cared enough for the characters.

    The musical could have been better if the show focused on one main conflict or character so the audience would have something to follow. The storylines presented had strong themes but they were weakly presented and conveniently resolved in the second act.

    The musical offers a variety of entertaining numbers. The main actors gave impressive performances especially Sheena Belarmino, Miah Canton and Vino Mabalot (his songs were the most difficult I think). I was also impressed by Jordan Andrews. Transitions from speaking to singing scenes can still be improved to make each number more impactful. Some transitions were just awkward.

    Overall despite of its weaknesses, Tabing Ilog The Musical was still a feel-good watch especially with seasoned theater peeps in the cast.


    Tabing Ilog The Musical will run until December 17 at the PETA Theater. Get your tickets at KTX.

  • Dani Girl Remains a Bright Beacon of Hope in its 2019 Restaging

    What better way to see and experience hope than through the eyes of children, as Marketing and PR Director Sab Jose mentioned before the show. Dani Girl is one such story, told through a little girl’s reimagining of her own struggles in reality into a whimsical fantasy. The Sandbox Collective staged it for the first time 5 years ago, and is now bringing it back, at a time where we need a little more hope in our world.

    Dani is the titular girl, battling through The Big C (that’s cancer) by imagining a more fun, less bleak world. In her imaginary world, her parents are rulers of a fantasy kingdom, and her guardian angel, Raph, plays games and sings fun songs with her. Having been alone in the hospital for a long time, she meets new ward-neighbor Marty, who shares her depth of imagination. They embark on adventures to discover why they were befallen with the “curse,” and more profoundly why it even needed to exist in the first place. “Why is cancer?” is the question.

    I watched the show on its first weekend, and as part of the production’s charity efforts, they matched every social media post with the hashtag #DaniGirlMNL with a financial donation to the show’s partners. That was a nice way to not only promote the show but also help save lives.

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  • Dani Girl Gives Us Hope Anew on Its Re-staging

    I watched Dani Girl’s premiere in Manila back in 2014. I was still a newbie with musicals when I watched it with my theater workshop classmates. Without any expectations or whatever, the show left me in tears. The show struck many heartstrings not only because it tackled cancer but for how it was told through the eyes of little innocent children. As young adults among all our responsibilities and the issues the world face today, we often forget to be like how we used to be as children: brave and hopeful.


    In celebration of its fifth year, The Sandbox Collective is re-staging their maiden production, Dani Girl: A Musical About Hope. Half a decade later, the show underlines, among other things, the importance of friendship, and the family that can blossom from it.

    Dani is a precocious nine-year-old girl who has spent her childhood battling acute lymphoblastic leukemia (A.L.L). Years of semi-isolated existence led her to develop quite the imagination, and she spends her days in the pediatric ward spinning fanciful tales that mostly feature her “guardian angel,” Raph. In her mind, her mother is a kind-hearted queen, and her absentee father, a king on a faraway quest. On most days, she has no one but her guardian angel, Raph, to turn to, until one day, a boy named Marty moves into the pediatric ward. Together, they decide to find the answer to the question, “Why is cancer?”

    The two-hour musical rarely looks at the two children’s prognosis through a dreary lens, and instead takes you through a whimsical ride through Dani’s fantastical imagination, one full of spaceships and sword fights. But amidst the fanciful settings, is a grounded core. Beyond the characters’ bleak reality, is a tale of friendship, and finding family in those you least expect. As audience members join Dani on her journey of self-realization, they will walk away with questions of their own. Who is my Raph? My Marty in life? Who do we turn to in times of turmoil, and whose shoulders do we know will always be there when we need them the most?

    Dani Girl: A Musical About Hope will star Philstage Gawad Buhay awardee, Rebecca Coates in the title role (Agnes of God, The Secret Garden). She is set to alternate with Felicity Kyle Napuli in the role of Dani Lyons (The Lion King, Matilda). Luigi Quesada will return as Dani’s best friend and fellow warrior, Marty (Hair, Waitress). He will be sharing the role with new cast member, Daniel Drilon (The Secret Garden, Fun Home). Returning cast members, Shiela Valderrama-Martinez (Binondo, Guadalupe, Shrek) and Pam Imperial (RENT, The Sound of Music) will be alternating as Katharine Lyons, Dani’s mother. Meanwhile, Lorenz Martinez (Miss Saigon, Binondo) returns and alternates with new cast member Juliene Mendoza in the role of Raph (Dekada ‘70, All Out of Love).

    Toff de Venecia (No Filter, The Boy in the Bathroom) makes his much-awaited directorial comeback in this re-staging of Dani Girl. He is at the helm once more as director and executive producer. Joining him is Sab Jose as assistant director and marketing and public relations director. Completing the artistic team are Ejay Yatco as musical director, Stephen Viñas as choreographer, Faust Peneyra as scenographer and costume designer, Miggy Panganiban as lighting designer, Joee Mejias as projection & video designer and Myrene Santos as hair and makeup designer

    Santi Santamaria leads the production team as co-executive producer (9 Works Theatrical). Rounding out the production team are Anna Santamaria as operations and finance director, Maine Manalansan as design director, Elliza Aurelio as associate producer, Pauline Gaerlan as production manager, Myka Cue as marketing and public relations associate, Jonjon Martin as public relations manager and Anissa Aguila as head stage manager.


    Dani Girl: A Musical About Hope will open on August 10, 2019 and will have a limited engagement until September 1, 2019 at the Carlos P. Romulo Auditorium, RCBC Plaza, Ayala Avenue, Makati City. Tickets are now available through Ticketworld online.


    Dani Girl: A Musical About Hope is co-presented by The Sandbox Collective and 9 Works Theatrical, together with our gold ribbon sponsor, Make-A-Wish Philippines. Special thanks to our silver ribbon sponsors: Privato Hotel Group, Toy Kingdom and St. Luke’s Medical Center; our institutional partners, Carewell Community Foundation, Childhaus, Philippine Cancer Society, Inc., CanHOPE and Cancervants; our community partners, Pineapple Lab, Classic Chef, K Best, and DC Superheroes Cafe; and our official media partners: Crossover 105.1, Pitchworks, Broadwayworld.com, Theater Fans Manila, Young Star, Uniquely Pinoy, and Art+ Magazine.

  • Nostalgia Never Ends in Eto Na! Musikal nAPO! 2019

    Last year, 9 Works Theatrical and Globe Live! produced their first original Filipino musical based on the music of APO Hiking Society, Eto Na! Musikal nAPO!. The critically acclaimed feel-good musical made an audience of different generations laugh and cry while resisting the urge to sing along the greatest hits of APO. Answering everyone’s Panalangin (including mine), Eto Na! Musikal nAPO! is back for a second run from February 2 to March 17.

    Eto Na! Musikal nAPO! is a heartwarming story of love and friendship. Set during the country’s turbulent 70’s, a college barkada decides to join a singing and songwriting contest. As talented as the young friends are, they find that like real life (especially during Martial Law), finding the right lyric to the perfect melody is not as easy as it seems.

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  • PETA’s ‘Ang Buhay ni Galileo’ Returns

    Quezon City, PHILIPPINES – The Philippine Educational Theater Association (PETA) presents one of its landmark and iconic performances, Alan Glinoga’s critically acclaimed Filipino adaptation of Bertolt Brecht’s Ang Buhay Ni Galileo this September 28 to October 7, 2018. After a limited three-day run in PETA’s original home at the Rajah Sulayman Theater for PETA’s 50th anniversary, Ang Buhay Ni Galileo now comes to the PETA Theater Center!

    The production revolves around the life of the 17th century scientist, Galileo Galilei whose discoveries changed our understanding of the universe. The timelessness of this PETA classic shows the resistance made by the authoritarian and conservative elements of the time against the coming of a new age.

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